aep skills exchange: group, individual, autonomy and leadership

News from the aep...

Ensemble and collectivity

On Skills Exchange Day 3, Hannah Robertshaw and Danielle Teale collaborated to deliver a workshop exploring their joint interest of collectivity and ensemble from very different perspectives. 

Hannah shared her thoughts on the ensemble as a uniting concept in which dancers communicate through shared action. 

In my workshop I shared the working processed behind my research with people with Parkinson's. The Collectivity and Intimacy project was developed out of a curiosity for the teaching method of collectivity which is used in dance for Parkinson's to make best use of mirror neurons and external cueing, which is a highly researched and a proven tool for supporting people with Parkinson's to move with more fluidity and intention.

My research interrogates this teaching practice and questions whether it can be considered inclusive, as it is led by external direction (either visual, auditory, verbal or tactile) by the artist.

aep skills exchange: objects, stories, people

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Community Dance as Curatorial practice

On the second day of the AEP Skills Exchange, Lizz Fort took us through a practical task to highlight the importance of artistic choices, and how to deliver a session which provides trainee students with a window into the values of community dance, creative practice and artistry. In her own words she shares her thoughts behind the practice:

In my work as a dance teacher educator, as trainee teachers journey from dancer to teacher/facilitator, I feel strongly that they see themselves as artists in their teaching practice before they develop the skills to host creative dance activities with others.  The activity I hosted at the AEP is one way that I start this conversation. In addition, I wanted to open up a discussion with the other artists about my current interest in rethinking community dance as a curatorial practice, an idea I have been formulating for a PhD research proposal. The ‘object-writing-hand phrase activity’ seemed well suited to achieve both of these objectives.

aep skills exchange: the role of the artist

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holding the space

To begin the Skills' Exchange, I delivered a workshop which illuminated some of the concepts and thoughts that have led to this week. Most importantly, to highlight the different roles that are held by the artist in a creative situation, and how and why these roles are important.

By taking away the leadership figure, I set up a workshop environment in which boundaryless play could evolve, and the dancers were free to interpret their environment as they choose. The resources, the space, the music, the text based instructions and the other bodys in the space were available as markers to hold the space and provide inspiration but fundamentally the creative interpretation of the dancers was unstructured and unguided...

aep skills exchange: the listening approach

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identity and relationality

Today Katie Green offered a short practical session through which she shared her thoughts and enabled us to explore a ‘listening approach’ to directing. In her own words she shares the thoughts behind her practice practice...

By ‘listening approach’, I mean that I wanted to reflect on the ways in which I had, over time, integrated my experience working with a mentor and being a mentor myself into my experience directing groups of people (including both professionals and non-professionals) in a choreographic context. For me this means facilitating a working environment or ‘holding a space’ in which other people feel free to create their best work, rather than one that is explicitly about me and my process; the idea being that if I can guide people to create something that is as much from them as from me, it will have more integrity, it will say what it is intended to say more deeply or fully because it is not only about me and my agenda; it is about people more universally, and about what it means to be human

aep skills exchange: listening, trusting, playing

news from the aep...

play, connecting, trust and listening

Today, we began the AEP Skills Exchange with Hannah Robertshaw and Tim Casson taking us through a warm-up to put us in the shoes of the dancers we work with. We considered:

  • Being together and being alert - how do we communicate the need to stay connected with the process to our dancers through interactive tasks
  • Opening the space for contribution, accumulating movement and being responsive to people's movements offers
  • Simplicity of instructions - setting clear rules and seeing how easy it is to develop relationships and movement material out of very simple gestures such as walk, sit down, stand still
  • Conversational movement - listening to and respecting each other
  • Exploring our ability to trust and let go of control by giving another person the role of the driver - how do we as artists step into the passive role
  • Working as a team, lead and follow and democratic leadership